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On A Monday Evening offers jazz fans a rare treat: an unreleased (and never bootlegged!) concert recording of The Bill Evans Trio, featuring Eddie Gomez and Eliot Zigmund. Captured live at Madison, Wisconsin's Union Theater on Monday, November 15, 1976, this recording finds Evans at the top of his game, performing both contemporary compositions from that era, as well as his longstanding signature tunes to a packed house. New liner notes by GRAMMY Award-winning jazz historian Ashley Kahn round out the package, featuring commentary by Eddie Gomez and Eliot Zigmund.
On A Monday Evening offers jazz fans a rare treat: an unreleased (and never bootlegged!) concert recording of The Bill Evans Trio, featuring Eddie Gomez and Eliot Zigmund. Captured live at Madison, Wisconsin's Union Theater on Monday, November 15, 1976, this recording finds Evans at the top of his game, performing both contemporary compositions from that era, as well as his longstanding signature tunes to a packed house. New liner notes by GRAMMY Award-winning jazz historian Ashley Kahn round out the package, featuring commentary by Eddie Gomez and Eliot Zigmund.
888072019713

Details

Format: CD
Label: FAN
Rel. Date: 03/24/2017
UPC: 888072019713

On A Monday Evening (Live)
Artist: Bill Evans
Format: CD
New: Available $14.98
Wish

Formats and Editions

CD
$14.98
DISC: 1

1. Sugar Plum (Live)
2. Up with the Lark (Live)
3. Time Remembered (Live)
4. T.T.T. (Twelve Tone Tune) (Live)
5. Someday My Prince Will Come (Live)
6. Minha (All Mine) (Live)
7. All of You (Live)
8. Some Other Time (Live)

More Info:

On A Monday Evening offers jazz fans a rare treat: an unreleased (and never bootlegged!) concert recording of The Bill Evans Trio, featuring Eddie Gomez and Eliot Zigmund. Captured live at Madison, Wisconsin's Union Theater on Monday, November 15, 1976, this recording finds Evans at the top of his game, performing both contemporary compositions from that era, as well as his longstanding signature tunes to a packed house. New liner notes by GRAMMY Award-winning jazz historian Ashley Kahn round out the package, featuring commentary by Eddie Gomez and Eliot Zigmund.
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