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Formats and Editions
1. Foolish Little Girl
2. Good Times
3. Sahara
4. Feedbag
5. South of the Border Town
6. The Honeydripper Part 2
7. Storm Warning (Long Version)
8. The Time Had Come
9. Woman 1
10. Which Way 1
11. A Little Closer to My Home 1
12. Make Your Own 1
13. You Said It 1
14. Bring Your Own Along 1
15. Somebody Tryin' to Hoodoo Me 1
16. Don' Want No Monkey in My Business 1
17. I Pulled the Cover Off You Two Lovers 1
18. Shining As Hard As I Can (Dying in the Forest) 1
19. Trader John 2
20. Zuzu Man 2
21. Tipitina Woman Is the Root of All Evil 2
22. Bald Head 2
23. The Ear Is on Strike 2
24. Go Ahead on Got Lonesome-Itis 2
25. Such a Night (Live) 2
26. Walk on Guilded Splinters (Live) 2
27. Goin' Back to New Orleans (Live) 2
28. Tipitina (Live) 2
29. I've Been Hoodooed (Live) 3
30. Right Place Wrong Time 3
31. Let the Good Times Roll (Live)
More Info:
Solo performances of Dr. John's greatest hits. Dr. John's music is stamped with the rhythms and traditions of the Crescent City, and he has spent a career that now spans more than half a century championing it's music. Born Malcolm John 'Mac' Rebennack, he learned piano and guitar as a child. As a child growing up in the 1940s, he was steeped in the music of the city. 'It was a special time in New Orleans,' he told USA Today's Edna Gunderson. 'The radio stations played basically New Orleans music, and I thought that was what the whole world heard.' As a musician, he was schooled by local legends like Walter 'Papoose' Nelson (Professor Longhair's guitarist), guitarist Roy Montrell, keyboardist James Booker and Cosimo Matassa (whose J&M Studio was the hub of the city's recording scene). Rebennack became one of the first white session men on the local scene. Working in L.A. with producer Harold Battiste, a fellow Crescent City expatriate, he created the character of Dr. John the Night Tripper, a voodoo sorcerer and healer. His first album, Gris-Gris, masterfully evoked the mystical spirit of back-alley voodoo in a musical setting of otherworldly 'N'Awlins' swamp funk. It meshed perfectly with the age of psychedelia in which it was released. Such cuts as 'I Walk on Gilded Splinters' evoked a late-night, back-streets netherworld of ritual and mystery. Until his untimely passing on June 6th of this year, Dr. John continued to keep the Crescent City's musical heritage alive.back to top