The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.
Standard weight clear vinyl
The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."
Coming July 24th: Spoon's first EP Soft Effects is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the EP is available on vinyl and as part of a CD compiling the five tracks with Spoon's debut LP Telephono. Soft Effects vinyl features blue sky cover never before used in physical packaging.
Coming July 24th: Spoon's debut LP Telephono is back in print for the first time since its initial release nearly 25 years ago. Newly recut from the original masters, the 14 tracks are available as a single LP or as a CD that includes the five song 1997 EP Soft Effects.
The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”
In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).
The Ascension is musically expansive and sweeping in thematic scope.
‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”
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Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.
The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I’m Wide Awake It’s Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one’s own turmoil. In its own way, I’m Wide Awake It’s Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.
In 2011 the release of The People’s Key, Bright Eyes’ ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band’s core members – Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott – has remained omnipresent, through both the members’ original work and collaboration.
In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers’ breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers.
Oberst, who’s nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.
The heart at Bright Eyes’ songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both “Lua” and “First Day of My Life”; Lorde’s version of the penultimate The People’s Key track, the funereal-waltz “Ladder Song,” was a focal point of The Hunger Games’ soundtrack; The Killers covered “Four Winds” for their Spaceman EP; and Lil Peep’s “Worlds Away” samples “Something Vague” while Young Thug’s “Me Or Us” samples “First Day of My Life.”
Bright Eyes’ expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes’ singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else’s song – a moment of understanding or illumination, knowing you’re on the same team looking for a way to move through of all this shit.
And while 2020 is a year of milestones for the band, it’s also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
A never-before-released studio album vinyl by Art Blakey & The Jazz Messengers recorded at Rudy Van Gelder's Hackensack, New Jersey studio on March 8, 1959, and featuring the legendary drummer-whose centennial is being celebrated this year-along with trumpeter Lee Morgan, tenor saxophonist Hank Mobley, pianist Bobby Timmons, and bassist Jymie Merritt. The 6-song set includes 2 previously unissued compositions: "Quick Trick" and "Jimerick."
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While everyone is social distancing, closing ranks and donning masks while they shop, life can seem somewhat surreal to the senses. Yet, through all of the chaos, one thing is constant, music brings us together. Now, on the 40th Anniversary of the landmark, Los Angeles, and 35 years since the original band have released an album – X, one of the greatest Punk Rock bands in music history, releases ALPHABETLAND today via Bandcamp. The original foursome - Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake have now made the album available for fans to purchase and by adapting to this moment, X continues to embody the same spirit they did when they began in 1977.
“When your heart is broken you think every song is about that. These songs were written in the last 18 months & it blows my mind how timely they are,” explained John Doe. “We all want our family, friends & fans to hear our records as soon as it's finished. This time we could do that. Thanks to Fat Possum & our audience.”
After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second full-length, Sideways to New Italy. Led by singer-songwriter-guitarists Tom Russo, Joe White and Fran Keaney, the guitar-pop five-piece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing "pure romantic fiction" and consciously avoiding the temptation of angsty break-up songs, while Russo looked north to a "bizarre place" that captured the feeling of manufacturing a sense of home when his own had disappeared. The New Italy of the new album’s title is a village near New South Wales’ Northern Rivers – the area drummer Marcel Tussie is from. A blink-and-you'll-miss-it pit-stop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late-1800s and now serves as something of a living monument to Italians' contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. "These are the expressions of people trying to find a home somewhere alien: trying to create a utopia in a turbulent and imperfect world." The record's geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives – or some combination of all three – that came from being slingshotted all over the world, playing sold-out headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russo’s words, “a utopia of where your heart’s from,” permeates Sideways to New Italy, in which early attempts at writing big, high-concept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the band's stories in their personal histories. There’s something comforting, too, in knowing the next time they’re buffeted from stage to stage around the world, they’ll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.
Narratively, H.C. McEntire’s Eno Axis is about finding direction in the natural world, and following love. Sonically, it’s an album shaped enormously by the atmosphere it was recorded in—the crew’s synergy and positivity, the proximity and presence of a band in a room playing with intention. Structurally, it’s a group of songs inspired by the colors and tones of open tunings, by the sacrality of space and instinct. Stylistically, it’s folk-rock leaning into its curious experimental side and moved by the spiritual rawness of classic soul and the simplicity of earnest pop. Eno Axis feels like a confident and mature step forward from her debut album LIONHEART—in tone, arrangement, production, and spirit.
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52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.
When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
180gm vinyl LP pressing in gatefold jacket. Gaslighter is the brilliant 2020 album from The Chicks, and is the fifth studio album to be released by the band. It is The Chick's first new album since 2006's Taking The Long Way, which won five Grammy Awards including Album of the Year, Record of the Year, and Song of the Year. Gaslighter is produced by Jack Antonoff with The Chicks. Superstars, renegades, innovators, heroes, villains, and moms, The Chicks have grown from a band into a cultural phenomenon. Since the release of their debut album, Wide Open Spaces in 1998, The Chicks' music has stirred emotions in fans across the world, making them one of the biggest and most influential bands of our time.
12" Vinyl Standard jacket with printed inner sleeve
Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
ALL THEM WITCHES have built a career out of playing music that can not be pigeonholed into one specific genre. NOTHING AS THE IDEAL was recorded in Studio 2 at the world famous Abbey Road with the help of longtime mixing engineer Mikey Allred. The history and vibe of that setting laid the groundwork for what was to come. The band’s signature psychedelic blues riffs, relentless drums, melodic bass lines and non-linear lyrics are all present. The resulting album is a thought provoking head banger that is the band’s most cohesive album to date.
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Another prized jewel in the Rolling Stones' unmatched catalogue is restored to its full glory. This limited edition Deluxe vinyl box set features the new stereo album mix, sourced from the original session files + Rarities & Alternative mixes including three previously unreleased tracks, Scarlet, All The Rage & Criss Cross. Mastered at half speed by Miles Showell at Abbey Road Studios, London. Also included is The Brussels Affair, recorded live at the Forest National Arena in October 1973 and pressed on 180g vinyl.
Also Available: Remastered Catalogue + Living In A Ghost Town
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After a legendary career as the enigmatic frontman for Pulp, and a successful run of solo albums and collaborations, Jarvis Cocker debuts his first new full length album since 2009 with musical project JARV IS' JARV IS... an ongoing live experience because life is an ongoing live experience. THIS IS NOT A LIVE ALBUM'it's an ALIVE ALBUM. Thanks for listening.
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As the thirteenth release in the Paul McCartney Archive Collection, this numbered, limited seven-disc (5CD/2DVD) Deluxe Edition Box Set is comprised of the original album remastered at Abbey Road Studios, 32 bonus audio tracks including unheard home recordings and demos, alternative studio recordings, rough mixes and B-sides including selections from Oobu Joobu parts 1-6, Flaming Pie At The Mill CD (Paul’s hour-long tour of his studio), video content including the In The World Tonight documentary, original music videos, EPKs, interviews, performances and behind-the-scenes material, a 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives and the story behind the album written by Chris Heath – including track-by-track information, recipes and new interviews with Paul, Ringo Starr, Jeff Lynne, Steve Miller and key album personnel, studio notes, handwritten lyrics, the 1997 Flaming Pie issue of Club Sandwich, the official newspaper of the Paul McCartney Fan club, downloadable 24bit 96kHz HD audio, and more.
- Numbered cloth wrapped clamshell box
- CD portfolio containing 5CDs and 2DVDs
- 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives, and the story behind the album – including track-by-track information, recipes, and new interviews with Paul McCartney, Ringo Starr, Jeff Lynne, Steve Miller, and key album personnel, written by Chris Heath.
- Facsimiles of John Hammel studio notebook, Club Sandwich Magazine, Flaming Pie plectrum and envelope containing handwritten lyrics for 8 tracks and The Flame newspaper
Flaming Pie is also available on 180g black vinyl 2LP, 3LP, CD, Collector's Edition formats.
After the assassination of Dr. Martin Luther King, Jr. In 1968, racial tensions across the country rose. Palo Alto, a largely white college town in Cali, wasn't immune. Danny Scher, a junior at the high school, had a dream to have Thelonious Monk perform and help bring about racial unity the community while raising funds for the International Committee. After many twists and turns, the triumphantly successful concert eventually happened. Now available on CD; Softpak w/ booklet & foldable poster.
“One of the most astoundingly consistent discographies in the last 20 years of rock music” - The FADER
“Hearing a band grow up without losing sight of what made them so vital in the first place... It’s worth cherishing.” - Pitchfork
INCLUDES TRACKS FEATURED ON EVERYTHING HITS AT ONCE: THE BEST
OF SPOON AND RSD 2020 RELEASE ALL
THE WEIRD KIDS UP FRONT
World renowned and multi-Grammy-nominated singer/songwriter Bebel Gilberto has been enchanting fans and critics worldwide since her solo debut release in 1986. She catapulted onto the global music scene in 1996 when she featured on the celebrated compilation RED HOT + RIO. She followed up with her breakout album, Tanto Tempo, positioning herself as one of the top-selling Brazilian artists since the 1960's. She continued with a streak of critically-acclaimed albums on which she refined her sound and showcased her strengths as a composer. Her new album, Agora, which translates to now, chronicles the moment in time in Bebel's life after a period of great change. It was produced by Thomas Bartlett (Sufjan Stevans, St. Vincent, Father John Misty, David Byrne, Martha Wainwright).
Freeze, Melt, the sixth album from the Grammy-nominated Australian electronic/synth-pop band Cut Copy. Lead single 'Love Is All We Share' earned praise from Rolling Stone ["meditative and immersive"], Stereogum ["hypnotic"], Consequence Of Sound ["a fitting mood for the current state of the world"], Pitchfork, The Line Of Best Fit, and numerous other outlets. Their 2011 album Zonoscope won two ARIA Awards, earned a Grammy nomination for Best Dance/Electronica Album, and reached #2 on Billboard's Dance/Electronic Albums chart, #3 on Australia's ARIA Albums chart, and #8 on the UK's Independent Albums chart. Their most recent album Haiku From Zero  earned praise from NPR ["their finest album in years"], Stereogum [“a rush of infectious grooves and melodies"], Exclaim! ["another strong effort by a band that continue to celebrate the power of dance music"], and DIY. If Haiku From Zero was the party, Freeze, Melt is the Sunday morning comedown. Released independently via their own label imprint, Cutters Records.
The whole story could’ve been written in the stars…
Astrology tells us a “Saturn Return” happens when the planet Saturn revolves back to the same position it held upon our birth. It typically takes almost thirty years. However, in the case of Delta Spirit, it took a little less than fifteen. The enduring California rock quintet—Matthew Logan Vasquez [vocals], Kelly Winrich [multi-instrumentalist, vocals], Will McLaren [guitar], Jon Jameson [bass], and Brandon Young [drums]—realign on their fifth full-length and first album since 2014, What Is There. As much as it reflects their journey thus far, it also ushers them into new territory as both musicians and, most importantly, friends. In the end, Delta Spirit not only return, but move forward together on What Is There.
Single LP on black vinyl in single jacket w/ euro sleeve & matte coating. Includes coupon for full download
An explosive album of pain, rage and fear with some of the most direct and confrontational lyrics of his four-decade career. According to Bob, “This is the catchiest batch of protest songs I’ve ever written in one sitting.”
ROGER WATERS: US + THEM, chronicles the acclaimed 2017-2018 tour of the iconic Pink Floyd artist. As the founding member, lyricist, composer and creative force behind Pink Floyd, US + THEM presents Waters powerful music in stunning form and highlights its’ message of human rights, liberty and love. Based around his acclaimed, sold-out US + THEM worldwide tour of 2017-18, comprising a total of 156 shows to 2.3 million people across the globe, it features classic songs from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here as well as his most recent album, Is This The Life We Really Want?
Waters powerfully demonstrates that he is at heart, a musical activist and one of the most passionate political commentators of his time. He has dedicated his life to fighting against those who seek to control our lives and destroy our planet. Welcome To The Machine and Another Brick In The Wall Part II, are a stark reminder of the bleak warnings that he gave decades ago about alienation, displacement, greed, suffering, destruction and loss. And yet the humanity of the songwriter cannot be more plainly seen than in Wish You Were Here, because, although he presents a grim picture of the state of the world, ultimately his message is one of hope through unity and love.
Indiana’s Hoops released their critically-acclaimed debut album Routines in 2017, and, soon after, announced an indefinite hiatus. The trio - friends, singers, and multi-instrumentalists Drew Auscherman, Kevin Krauter and Keagan Beresford - had been making music together for almost half of their lives, but the band had begun to feel more like a burden than an outlet, so they decided to call it quits. “I think we had lost a lot of steam,” explains Krauter. “Hoops wasn’t moving forward organically. It was being dragged along.” Following a short but necessary break, during which the band had the opportunity to explore their own creative endeavors, Hoops have reunited and announce their incredible sophomore album today. Recorded at Bloomington’s Russian Studio, the studio that had been home to L’il Bub (RIP), and produced by the band’s friend Ben Lumsdaine, Halo is an album defined by musical exuberance, full of gratitude and generosity, and, simply, sounds like a lively conversation amongst close friends.