The new Abbey Roadrelease features thenew stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album’s original stereo mix supervised by his father, George Martin.

Hackney Diamonds, the hugely anticipated new album by The Rolling Stones, is released on October 20th. Following the release of 2016's Grammy Award winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band’s first studio album of original material since 2005's A Bigger Bang.

Jenny from Thebes began its life as many albums by the Mountain Goats do, with John Darnielle playing the piano until a lyric emerged. That lyric, “Jenny was a warrior / Jenny was a thief / Jenny hit the corner clinic begging for relief,” became “Jenny III,” a song which laid down a challenge he’d never taken up before: writing a sequel to one of his most beloved albums.   The Mountain Goats’ catalog is thick with recurring characters—Jenny, who originally appears in the All Hail West Texas track bearing her name, as well as in “Straight Six” from Jam Eater Blues and Transcendental Youth side two jam “Night Light,” is one of these, someone who enters a song unexpectedly, pricking up the ears of fans who are keen on continuing the various narrative threads running through the Mountain Goats’ discography before vanishing into the mist. In these songs, Jenny is largely defined by her absence, and she is given that definition by other characters. She is running from something. These features are beguiling, both to the characters who’ve told her story so far and to the listener. They invite certain questions: Who is Jenny, really? What is she running from? Well, she’s a warrior and a thief, and, this being an album by the Mountain Goats, it’s a safe bet whatever she’s fleeing is something bad. Something catastrophically bad.   Jenny from Thebes is the story of Jenny, her southwestern ranch style house, the people for whom that house is a place of safety, and the west Texas town that is uncomfortable with its existence. It is a story about the individual and society, about safety and shelter and those who choose to provide care when nobody else will.   This is what a follow-up to All Hail West Texas entails. But if you think about the Mountain Goats as they were in 2001, when Darnielle wrote and recorded that album on his own, mostly into his Panasonic RX-FT500 boombox, and how they are now as the recording and touring outfit of Darnielle, Peter Hughes, Matt Douglas, and Jon Wurster, you may find yourself asking how. That occurred to Darnielle, too.   “If we’re going to do a sequel to a record that was recorded almost entirely on a boombox,” he asks, “why not do the opposite and make it as big as possible?”   Decamping to Tulsa, Oklahoma’s legendary The Church Studio with Grammy-winning producer/engineer Trina Shoemaker (Sheryl Crow’s The Globe Sessions), that is exactly what the Mountain Goats did. Jenny from Thebes is a lush collection of showtunes, pushing Darnielle as a vocalist and the Mountain Goats as a band, broadening their sonic palette once again by leaning into influences like Godspell, Jim Steinman, and The Cars. The resulting album cuts a path that is simultaneously full of allusions longtime Mountain Goats fans will spin entire mythologies from while also being their most inviting record for those who’ve yet to be converted to the cause.   Lifted by Matt Douglas’ horn and string arrangements, the dreamy guitar of Bully leader (and Bleed Out producer) Alicia Bognanno, and backing vocals from Kathy Valentine of The Go-Go’s (“Only One Way,” “Same as Cash,” “Going to Dallas”) and Matt Nathanson (“Fresh Tattoo”), the album is a widescreen musical in scope, a melodrama of richly detailed characters and sweeping emotions.   Explaining the title of the album, Darnielle notes that Jenny is not unlike a character from Greek literature, someone on the verge of an unimaginable tragedy whose signs and portents will not make themselves known to her until she finds herself amidst the wreckage. “These things never happen in isolation,” he says. “One bad event leads to and is the reason for another bad event. Jenny should know that you can’t keep a safehouse in a west Texas town, but she’s too wrapped up in the process and has to go through the loss to understand how it happened.”   Whether or not she comes to understand how it happened, the events of Jenny from Thebes set Jenny on the run. A woman and her custom yellow and black Kawasaki held in the memories of a vanishing few, someone who held the gate for as long as she could, as a warrior might, before disappearing into the night like a thief.

Fleetwood Mac was at the top of its game in August 1977 when the band returned to its adopted home in Southern California to play three shows at The Forum in Los Angeles. RUMOURS had only been out a few weeks when the band left in February to tour the world, returning six months later to play three shows at The Forum for nearly 50,000 fans.

RUMOURS LIVE captures the energy and excitement of the band's opening night at The Forum on August 29, 1977.

The concert's setlist draws almost exclusively from FLEETWOOD MAC and RUMOURS, the first two albums recorded by the band's latest incarnation: Mick Fleetwood, John McVie, and Christine McVie, and the newest members, Stevie Nicks, and Lindsey Buckingham. The lone nod to Fleetwood Mac's other nine studio albums is a performance of "Oh Well," a rock-guitar masterpiece originally released in 1969 and written by the band's founder, guitarist Peter Green.

The concert remained unreleased for decades until 2021, when "Gold Dust Woman" and "World Turning" from the show were included as a bonus tracks on LIVE: DELUXE EDITION, Rhino's expanded version of Fleetwood Mac's 1980 concert album. The other 16 songs on the collection have never been released before.

Engineer Ken Caillat, who helped record RUMOURS, also recorded the concert at The Forum using the Record Plant's mobile recording truck. He captured the band's impassioned performance at a moment of peak RUMOURS frenzy, including powerful versions of "Landslide," "Never Going Back Again," "Songbird," and "The Chain."

FEATURES:

• 180-Gram 2LP
• Gatefold Jacket
• Laquers Cut By Chris Bellman at Bernie Grundman Mastering

FLEETWOOD MAC / RUMOURS LIVE VINYL LP

Limited edition deluxe 2LP Black Vinyl packaged in a Glow-In-The-Dark gatefold jacket featuring two bonus tracks: “Sing Sorrow” and “Overture Or Obituary”. Originally released in 2007, Untitled was the band’s eighth studio album, featuring songs such as “Evolution,” “Hold On,” and “Kiss.”

The seeds of the collaboration were planted in 2017 when Anderson .Paak and Bruno Mars toured together on the European leg of his 24K Magic World Tour. One late-night jam session on the road unlocked immediate chemistry. Just before the world slipped into quarantine, Bruno called Anderson: “Remember that idea we had back in 2017? Let’s do it.” One studio session grew into to a months-long collaboration, culminating the “setlist of doom.” Legendary Bootsy Collins christened Silk Sonic and came in as the “special guest host” for An Evening With Silk Sonic, their debut album.Silk Sonic was finally set free on March 5th, 2021. Within less than a month, their debut single “Leave The Door Open” cracked over 230 million streams, and currently sits at 1.2 billion streams with over 346 million official video views. It reeled in rave reviews, including Variety who noted it “could be a Best R&B Song GRAMMY® winner from 1974.” After petitioning the GRAMMY® Awards to #LetSilkSonicThrive, they made their debut performance with “Leave The Door Open” and served up a powerful tribute to Little Richard.

Might As Well: A Round Records Retrospective presents a collection of Jerry Garcia’s most beloved solo studio recordings and collaborations with Grateful Dead lyricist Robert Hunter. The compilation contains 16 remastered, original recordings of fan favorites including “Sugaree,” “They Love Each Other,” “Rubin & Cherise” and “Cats Under The Stars,” among others. It highlights the performances that helped enshrine the Grateful Dead and Jerry Garcia in the Songwriters Hall of Fame.

Long out of print on vinyl, Tyler, The Creator’s classic album Wolf finally receives an official repress. The album is pressed on two pink-colored LPs in a gatefold jacket with printed inner sleeves and a 12”x 12” insert. The package also includes an oversized sticker of Tyler’s face. 

4 - 1st Studio Album, Top 25 US Billboard Chart, Includes their signature song “Mad Jack". This was the English Prog-Rock group most successful album. This deluxe package will include an OBI strip, gatefold album jacket, printed inner sleeve, original record labels and specialty color vinyl.  Lava Lamp effect cleear Yellow/Orange Color Vinyl

Help Me | Love Is | Memory Lane | Inside Of Me | I Wanna Live Again | Mad Jack | 4 Phil | Since Beginning

In honor of the 50^th Anniversary of Carole King’s iconic album, Tapestry, this February 2021 – Legacy is excited to be reissuing the album on Vinyl!

Personally curated by Johnny Marr, Spirit Power encompasses songs from across four widely acclaimed UK top ten solo albums 2013’s The Messenger, 2014’s Playland, 2018’s Call The Comet, 2022 double album Fever Dreams Pts 1-4), non-album single releases ‘Armatopia’, ‘The Priest’ (w/ Maxine Peake), two brand new songs, plus a cover version of Depeche Mode’s‘ I Feel You’, released for Record Store Day 2015 and revealing the degree to which Marr has found his métier as a vocalist of singular expressive power.

Following the release of the critically acclaimed Random Access Memories 10th Anniversary Edition earlier this year, this new iteration of the GRAMMY-award winning Album of the Year strips away all drum and percussive elements from the album, giving listeners the ability to dive deeper into the layers of instrumentation on each track. 2LP vinyl gatefold package with an 8 page booklet.

Ghost one of the most esteemed and celebrated rock bands in the world today return with their fifth psalm, IMPERA, fronted by the newly anointed Papa Emeritus IV.  A dozen songs take on themes of isolation and demigod worship, as well as colonization of both space and mind.   And all with the infectious hooky brand of rock their fans have grown accustomed.