songwriters and other outlaws

John Prine's 2000 release Souvenirs was a reimagining and re-recording of some of John's favorite songs throughout the years. For the first time, this record will be available via a double LP vinyl.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although it's longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

That’s How Rumors Get Started sees Nashville icon and 2019 Best New Artist Grammy nominee Margo Price commit her genre-bending rock-and-roll show to record for the first time, stretching out her emotive twang over skyhigh soft-rock, burning psychedelic rock ballads, stomping road songs, and sprinkles of pop. Produced by Sturgill Simpson.

Indie exclusive pressed on 180g vinyl, with MP3 download code and a BONUS 7" single featuring: "Twinkle Twinkle" and "He Made a Woman Out Of Me".

That’s How Rumors Get Started sees Nashville icon and 2019 Best New Artist Grammy nominee Margo Price commit her genre-bending rock-and-roll show to record for the first time, stretching out her emotive twang over sky-high soft-rock, burning psychedelic rock ballads, stomping road songs, and sprinkles of pop. With production from her friend and longtime collaborator Sturgill Simpson, it shows both of them pushing into unexpected directions.

LP is 150 Gram and includes a download insert

A new studio album from the time-defying legend who has won Grammys for his last two albums (2019’s Ride Me Back Home just won Best Solo Country Performance and 2018’s My Way won Best Traditional Pop Album). While his last few albums have focused on facing the reality of mortality and crying or laughing in its face, this one is focused much more on celebrating the now and embracing life, love and friends & family. The album includes new songs written by Willie and long time producer Buddy Cannon combined with new songs written by Chris Stapleton and Toby Keith plus a handful of classic songs that Willie interprets his way, all performed with an amazing band of Nashville gunslingers.

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

A new studio album from the time-defying legend who has won Grammys for his last two albums (2019’s Ride Me Back Home just won Best Solo Country Performance and 2018’s My Way won Best Traditional Pop Album). While his last few albums have focused on facing the reality of mortality and crying or laughing in its face, this one is focused much more on celebrating the now and embracing life, love and friends & family. The album includes new songs written by Willie and long time producer Buddy Cannon combined with new songs written by Chris Stapleton and Toby Keith plus a handful of classic songs that Willie interprets his way, all performed with an amazing band of Nashville gunslingers.

The Mastersons are singer-songwriters/multi-instrumentalists Chris Masterson and Eleanor Whitmore. Longtime members of Steve Earle's band the Dukes, the musical and marital twosome make inspired albums of their own vivid, deeply humanistic songs. Their fourth album, No Time for Love Songs, marks the 10th anniversary of their partnership and creative journey with a collection of songs that could easily serve as the soundtrack to our lives-or at least one version of it. Produced by Shooter Jennings and recorded at L.A.'s legendary Sunset Sound Recorders, the album was engineered and mixed by five-time Grammy Award-winning engineer, Ryan Freeland.No Time for Love Songs explores the emotional challenges of a morally compromised era, and reflects the experiences that the pair has accumulated in their travels. Those experiences helped to inspire the big-hearted songcraft of such compelling new tunes as "Spellbound," "Circle the Sun," "Eyes Open Wide," "The Silver Line," "There Is A Song to Sing," and the album's poignant title track, and showcase the Mastersons' organic harmonies, stirring melodies and insightful lyrics, which consistently offer clear-eyed optimism in the face of loss and discouragement.

On What It Is, the Houston, TX troubadour Hayes Carll is leaving the past behind. “I want to dig in so this life doesn’t just pass me by. The more engaged I am the more meaning it all has. I want that to be reflected in the work,” Carll says. The new album covers a broad range of topics both timely and constant; the desire to bridge the country’s political divide, the ups and downs of relationships, and the challenge to stay present in your life as it goes by. What It Is continues the artistic risk-taking initiated by 2016’s Lovers and Leavers; his voice is strong and assured, and his songwriting as truthful as ever.

On What It Is, the Houston, TX troubadour Hayes Carll is leaving the past behind. “I want to dig in so this life doesn’t just pass me by. The more engaged I am the more meaning it all has. I want that to be reflected in the work,” Carll says. The new album covers a broad range of topics both timely and constant; the desire to bridge the country’s political divide, the ups and downs of relationships, and the challenge to stay present in your life as it goes by. What It Is continues the artistic risk-taking initiated by 2016’s Lovers and Leavers; his voice is strong and assured, and his songwriting as truthful as ever.

This early LP (1975) by this flat-picking guitar phenom is split between songs and magnificent instrumentals. Ricky Skaggs, J.D. Crowe, brother Larry Rice and members of Seldom Scene join in on Bullet Man; Mr. Poverty; Red Haired Boy; Bugle Call Rag; Scarborough Fair; Alone and Forsaken, and more!

2020 album from the Irish singer/songwriter. Name many of the most notable recordings and/or performers in Irish music and it's a fair bet that John Doyle had something to do with them - Liz Carroll; Eileen Ivers; Karan Casey; Solas; Michael Black; Mary Black; the trio of McCusker, McGoldrick and Doyle; and now Usher's Island (Andy Irvine, Donal Lunny, Mike McGoldrick, Paddy Glackin and John Doyle), not to mention the hugely popular Transatlantic Sessions. This list is a veritable who's who of the greatest names in Irish music, and these are just a very few of the stellar artists for whom John Doyle's signature guitar sound, singing or songwriting is essential. Impossibly in demand in the studio and on the road, immensely talented and blessed with an acute ear, a wicked sense of rhythm and seemingly endless stream of magic in his playing, composing, performing and producing, John Doyle is solidly establishing himself as one of the most versatile, creative and prolific voices in folk and traditional Irish music.

Lamentations is a 10-song rumination on the current state of the world around me. I was raised in the faith and the book of Lamentations was always one that caught my attention. A broken man crying out to the heavens, asking why God sat back and let his country fall apart. Questioning the sheer existence of a higher power in the lowest of times. How could an all loving God sit back and let an entire nation’s cry for he

lp go unanswered? I saw many parallels in that story and the current climate of this country in 2020. There are a large group of people who were promised something in 2016. They are still waiting for those promises to be fulfilled. This is a record about the things that break people. Religion, politics, addiction, love, money, family, history. I believe it is an empathetic look at the other side. A group of stories about losing everything and still finding the will to stand back up and fight for the things that matter the most.  - BJ Barham

"I look like an insider because of everything I've done but I always felt like an outsider," Darrell Scott says. "And that's important - to be an outsider." He's also a master. Witness his ability to make just about any instrument talk, listen to his vocals and songwriting to hear him contain every emotion between joy and pain within one verse in his singing and in his pen. Nowadays he's taking the outsider role even more seriously; after 23 years in Nashville he spent the last year devoting himself to a self-sufficient lifestyle in the country while simultaneously putting together his best album in years. Couchville Sessions is that album, and it continues Scott's long tradition of tackling the profound issues - loneliness, the demise of relationships, mortality - without ever becoming maudlin. The record may explore darkness but there is always light. Scott can sing to us about addiction, breaking up, even dying without it ever becoming depressing. That's due to his writing, his vocal delivery - often erotically charged here - and the careful choice of five covers that he calls tributes to some of the masters. Scott's tenth studio album shows no sign of him losing steam. In fact, he seems to be on fire. Born in Eastern Kentucky to restless Appalachians who moved him out West, raised by a country-music-worshipping single father, he studied poetry with Philip Levine, a celebrator of the working class who would later become the nation's Poet Laureate. Scott has lived the songs he sings: he's worked hard, told defiant truths, and never turned down the chance to pursue love. Along the way he has created an oeuvre of albums beloved by his devoted fans and written songs that became hits for everyone from Dixie Chicks to Travis Tritt as well as being covered by more than 70 others while never shying away from critiquing the industry. The multi-talented Grammy nominee has also been a member of Robert Plant's Band of Joy, won the AMA Song of the Year, named ASCAP's Songwriter of the Year and a host of other accolades.

2011 release, the seventh album from the Nashville-based singer/songwriter. Recorded in Scott's sun-drenched living room over several days of an early spring, the project is an intimate homage to the music Darrell remembers from his childhood and the father and mother who presided over that Country Music baptism. Scott has, over the past decade-plus, assumed a rarified place in American music through a hard-to-come-by combination of talents and gifts. His literary but accessible songwriting has been the foundation of his reputation and his universally acclaimed albums, while also being a source of hits and cuts for others. His singing is uncommonly strong and nuanced. And his chops on guitar and steel, practiced over a lifetime of blue-collar musicianship, have earned him elite sideman gigs like Robert Plant's current Bond of Joy.

...Listen to this record with the lights low. Listen to it on an old radio, cradled next to your ear. This is the sound of two people, singing and playing their songs. Forget the years in between.

“The way you made it
That’s the way it will be.”

– Colin Meloy
Portland, Oregon
May 5, 2011

SOUL JOURNEY, Gillian Welch's 4th album, features solo, duo and band performances. Contributors to the album include Greg Leisz and Jim Boquist.

Grammy-nominated artist Gillian Wlch has 3 created some of her most passionate works on her 3rd album Tim (The Revelator). The tne song CD produced by songwriting partner David Rawlings. "Gillian combines echoes of bluegrass musical purity with lyrics about trouble lives that carry the grainy authenticity of old B&W photos..-LA Times"

Limited 180 gram vinyl LP pressing. Gram Parsons pioneered the concept of a rock band playing country music, playing in bands such as the Byrds, the International Submarine Band and the Flying Burrito Brothers. His work has influenced both country and rock artists such as the Rolling Stones and Linda Ronstadt by blending the two genres to the point that they became indistinguishable from each other. Compiled from 1973 studio sessions, GRIEVOUS ANGEL was originally released in 1974, four months after the songwriters death. It was the second solo album from Gram Parsons and is viewed as a successful example of the hybrid between country and rock and roll Parsons called Cosmic American Music. In 2003 it was ranked in Rolling Stone magazine's 500 greatest albums of all time.

Digitally remastered two CD set containing a trio of albums by the acclaimed country singer/songwriter: Guy Clark, The South Coast Of Texas and Better Days. These three albums were originally issued by Warner Bros., dating from 1978, 1980 and 1983. Though commercial success eluded these recordings, they and Clark received huge critical acclaim. Sidesmen featured include Rodney Crowell, Don Everly, David Briggs and Ricky Scaggs.

Vinyl LP pressing. Legendary Grammy-nominated singer and songwriter Guy Clark returns with his first full-length album in nearly four years, My Favorite Picture of You. Recorded in his 71st year, Guy Clark continues a legacy of peerless Folk-inspired country songs with album standouts "Cornmeal Waltz," "El Coyote" and the title track "My Favorite Picture of You." My Favorite Picture of You comes fresh off the release of the 2012 Grammy-nominated and Americana Album of the Year Award winning This One's for Him: A Tribute to Guy Clark.

Originally released in 1957 and so dubbed because these three sessions - two from early 1949, one from March 1950 - are where the sound known as cool jazz essentially formed, Birth of the Cool remains one of the defining, pivotal moments in jazz. Standard weight vinyl. Reissued to mark Capitol Records 75th Anniversary.

This reissue adds two bonus tracks to the original 1953 release-so now you'll get ALL the songs from the Luke the Drifter sessions!