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Double vinyl LP pressing. 2020 release, the seventh album from the funk band. Resonate comes on the heels of Lettuce's 2019 Grammy-nominated album Elevate. "Resonate is a definite continuation of the vibe of Elevate," said the band via a press release. "There's brand-new tracks on it along with some stuff that we've only played live at shows. When listening Resonate, we hope you can feel the groove, be moved to dance and allow it to shine a bright, positive light on any lingering negative vibes."

Vinyl LP pressing. In an emotional musical journey, Booker T explores new takes on the songs that make up the fabric of his musical identity. Largely mirroring the chapter titles from his forthcoming memoir Time is Tight, the album titled Note by Note serves as a musical companion. Stax staples like Cause I Love You and These Arms of Mine are woven into defining musical moments from Booker's journey after STAX, when he produced and recorded with artists as diverse as Willie Nelson and Carlos Santana. Booker T & the M.G.'s fans will enjoy a new ending to the song Time is Tight, a Romanesque coda that has been played live yet never recorded. The album culminates with new original music, highlighting the soaring guitar and vocals of Booker's son and collaborator Teddy Jones. Booker T is a 4 time Grammy Award winner (including the Lifetime Achievement Award), Rock and Roll Hall of Fame Inductee, and arguably the most famous Hammond B3 player in history.

Long awaited 2nd album. Young soul sensation adopts a more contemporary R&B approach while staying true to his signature style.

Leon Bridges is the 'out of almost nowhere' story that only comes along once in a while. Awareness of Leon Bidges and his unique craft continues to grow authentically and consistently. It was only last summer that Leon was singing open mics in his hometown Fort Worth, TX. One of those open mics was attended by Austin Jenkins and Josh Block of the notable indie band White Denim who were absolutely floored by Leon's voice, songs, and creative vision.

After repeatedly being visited by a strange messenger in his dreams while on tour in the islands of Greece, Toby Pazner became consumed with a vision to tell the stories of The Olympians through music. Chosen by the gods as a messenger for not only his musical gifts, but for his unique position at the center of the Daptone family, Toby built a home studio from scratch and employed some of the top soul musicians in the world to help him breath life into this album. The result is a dramatic and cinematic journey to the outer limits of instrumental soul music, built on a foundation laid by the same craftsmen whose bricks built the legacies of Sharon Jones, Lee Fields, Charles Bradley, The Budos Band, and Menahan Street Band, and painted with lush strings, harpsichord, harp, and horns. The Olympians is destined to be the instrumental gem of the year. Includes download card.

1972 album by soul legend.

Over the years, different members have traded production and composition duties from album to album. On the new album''Fu Chronicles''Amayo leads us through a thrilling sonic journey of kung fu meets Afrobeat, weaving together the strands of Edo and Yoruba cultural memory from Nigeria with his training and study in Chinese martial arts. Recorded in the Summer of 2018, over seventeen musicians and singers crammed into the storied Daptone House of Soul in Bushwick to record the massive body of work. With live versions and arrangements stretching up to thirty minutes, Perna, Amayo, and Roth worked tirelessly to preserve the hypnotic power of the long-form live arrangements into six concise and powerful album tracks.

Antibalas new studio album, Where The Gods Are In Peace, is an epic Afro-Western Trilogy searching for solace from American political opportunism, greed and vengeance. Through its battle cry of resistance against exploitation and displacement, Antibalas long-form compositions investigate oppression in 1800s America that eerily mirror the current state of the country. Three explosive original arrangements cultivate an urgent call to heal a broken system. Ultimately, the sonic excursion lands on an island where love is our first instinct. A new ideology is born opening our hearts to the possibilities of living as one unified people, where all gods are equal and together we prevail.

True to traditional form, Where The Gods Are In Peace pays respect to the forefathers of Afrobeat with compositions spanning nine to 15 minutes in length. With a blessing from the Fela Kuti legacy early in the band s career, Antibalas has long been revered for re-popularizing the classic Afrobeat sound while adding their distinct New York City grit to the mix. Influences of punk rock, free jazz, and hip-hop seep into their expansive works to define a truly 21st century translation of the Afrobeat genre and beyond. Vinyl includes download code.

Vinyl LP pressing. Having created her first recordings as a Gospel artist at the tender age of 14, Aretha Franklin went on to become the most charted female artist in Billboard's history. Releasing a staggering 88 charted singles on Billboard, Aretha was the winner of 18 Grammy awards including 'Best Female R&B Vocal Performance', 'Best Soul Gospel Performance' and 'Best Rhythm & Blues Recording'. Having sold over 75 million records worldwide she is regarded as an American treasure, in 1987 becoming the first woman to be inducted in the Rock and Roll Hall of Fame. Released in 1967 I Never Loved a Man the Way I Love You was Aretha's breakthrough studio album, including the first two of Aretha's 20 #! hit singles "I Never Loved a Man (The Way I Love You) and her signature song "Respect".

Limited 180-gram vinyl LP pressing of this 1971 album from the soul singer/songwriter. Remastered and repackaged as a part of Sony's Dual Disc series, this album, one of the best soul debuts ever issued, is now available to a whole new generation of listeners that might have missed out the first time. And the remastering brings with it an intimacy the previous editions couldn't quite boast of. "Ain't No Sunshine," "Harlem" and "Better Off Dead" are beloved tracks that have stood the test of time, and listening to them again here reminds us why. Even Withers's covers are handled with great care and intensity-treated as if they were his own compositions. 12 tracks. Get it now. Music On Vinyl.

Black Pumas has announced their highly anticipated debut album set for release on June 21. The band is led by the creative partnership between Grammy Award-winning guitarist / producer Adrian Quesada and 27-year-old songwriter Eric Burton. Burton is a relative newcomer who arrived in Austin in 2015 after busking his way across the country from Los Angeles, while Quesada has a storied reputation for playing in bands like Grupo Fantasma and Brownout. 

After the two connected via friends in the Austin scene, they began to collaborate on a new sound that transmutes soul into something idiosyncratically modern. Reminiscent of Ghostface Killah and Motown in equal measure, this original sound ensured that Black Pumas’ weekly residency at C-Boys quickly became “the hottest party in town” (Austin-American Statesman). 

Freetown Sound is the third full-length album from Dev Hynes (Blood Orange). Written and produced by Hynes, Freetown Sound is a tour de force, a pastiche of Hynes’ past, present, and future that melds his influences with his own established musical voice. For well over a decade, Dev has proven himself a virtuoso of versatility, experimenting with almost every conceivable musical genre and working with a wide variety of artists as a writer and producer. On his solo work he has created a singular style of urgent, delicate pop music by carefully stitching a sound palette that gently recalls elastic funk, slinky R&B, and pure pop. Thematically, the album is profoundly personal and unapologetically political, touching on issues of race, religion, sex, and sexism over 17 shimmering songs.

The Budos Band return with BURNT OFFERING; a wild, booze-fueled ride of hazy riffs and take-no-prisoners horn lines that summons the occult - an evolved sound for this mighty 10-piece band sparked by their love of Black Sabbath and Pentagram. BURNT OFFERING was recorded live in the studio, engineered and produced by Tom Brenneck, a founding member and guitarist of the Budos Band whoi runs Dunham Records and studios. Written at the bands longtime Staten Island studio where they've gathered for weekly rehearsals for gathered for weekly rehearsals for cover was created by drummer Brian Profilio, a NYC public school art teacher. The new album is dripping with the psychedelic sounds of early heavy metal fused with the tight knit propulsion of Fela Kuti. "The Sticks" kicks off with a snarling riff seamlessly doubled on bass and guitar and unfurls into sludgy breakdowns and searing guitars.

Like the deadly scorpion of the album's cover, The Budos Band's second release, The Budos Band II, creeps stealthily over the hot desert sand. It is with unmistakable purpose that each beat of the music drives forth, one footstep of many to carry the Scorpion toward its meaning. With his tail arched high in readiness, he maneuvers patiently under the scorching desert sun and chooses his prey. He strikes without warning and with out remorse. The venom of his sting, true to its reason; his victim, ever-intoxicated. With its twenty-two legs, three horns, and hallucinogenic venom, The Budos Band (the unheralded emperors of Instrumental Staten Island Afro-Soul) continue to rule. The band commands their listeners to follow them on their second journey into the depths of their poisonous vision. While their debut album was itself heralded as a groundbreaking exploration of funk, afro-beat and soul music, few could predict that their second effort would not only match but surpass the realm of mind-expansion embodied on their first sessions. Through ten exciting new instrumentals recorded live at Daptone's House of Soul in Bushwick, Brooklyn, The Budos Band pours themes at once resonant and ethereal over Herculean rhythms. Vinyl.

Daptone Records is proud to present The Budos Band III, unleashing The Budos Bandâ TMs brazen sound and inspiring fervor among music lovers throughout the world. Produced by Bosco Mann and TNT at Daptone Recordsâ TM House of Soul Studios in Bushwick, Brooklyn, the band's third full-length studio effort was conceived during weekly, beer-fueled Staten Island writing sessions as well as more than 150 live gigs over the last two years and recorded during a 48 hour period in January 2010. If the menacing album art, which features a cobra primed for the attack, is any indication of the music itself, we can expect an all out assault of the senses, with a tendency towards the venomous and psychedelic. "The end result," as Pitchforkmedia states, "is something so hip it could kill you in large doses "in the right doses it just plain kills."

As menacing and unhinged as ever, the pride of Staten Island is back with their fifth full-length offering, V. Raw and absent of the modern technological trappings, the Budos pick up where they left off with 2014s Burnt Offering, and finds the group expanding on the brooding, fuzz-fueled riffs, whilst harkening back to the Ethiopian inspired rhythms and percussive proclivity that put Budos Band on the map.

Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults. As a one-time pressing for the super-fan we have a gorgeous black velvet wrapped box set that includes the following: 180g vinyl version of the standard LP, a bonus 12 45rpm EP with stripped down mixes of 4 CB classics, an exclusive slip-mat, 2 printed heavy-duty inner sleeves sporting a surreal painting of Charles and the interview in which he explains the origin of the painting, a 12x12 photo-book with extensive liner notes from Producer Tommy 'TNT', an exact replica of Charles' original Black Velvit business card, and last but certainly not least...a seeded DL Card (once you've retrieved your DL, you can plant the card and wildflowers will grow in memory of Charles).

Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.

Features the hit songs "Reach Out and Touch (Somebody's Hand)" and a cover of Marvin Gaye & Tammi Terrell's "Ain't No Mountain High Enough".

Durand Jones & the Indications aren't looking backwards. Helmed by foil vocalists in Durand Jones and drummer Aaron Frazer, the Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. Even with an aesthetic steeped in the golden, strings-infused dreaminess of early '70s soul, the Indications' sophomore LP, American Love Call, is planted firmly in the present, with the urgency of this moment in time. The Indications' 2016 self-titled debut was the product of friends who met as students at Indiana University in Bloomington, In., recorded for $452.11, including a case of beer. American Love Call, the band's sophomore LP is instead the record the Indications dreamed of making, fleshed out with strings, backing vocals, and a newfound confidence in songwriting. Blending a slew of influences from years spent crate-digging, guitarist Blake Rhein says the Indications approach songs in the same way hip-hop producers do, as likely to pull inspiration from '70s folk-rock or classic R&B as they are Nas' Illmatic. "Did I expect to do this shit once I got out of college? Hell no," Jones relays, laughing. "Totally not. But this is what God is telling me to do - move and groove. So I'm gonna stay in my lane."

In the fall of 2012, Jones left his small-town in Louisiana for the foothills of Indiana. Alto saxophone in tow he enrolled in the Jacobs School of Music at Indiana University. “Being a singer was never part of the plan,” Jones admits. But soon enough he found his way in front of a rowdy rock-n-roll band belting out a rambunctious rendition of “Dock Of The Bay,” to a basement full of drunken undergrads. That rowdy band unfolded into The Indications—comprised of Aaron Frazer (drums), Blake Rhein (guitar), Kyle Houpt (bass) and Justin Hubler (organ). Inspired by a handful of dusty and obscure 45s bearing names like The Ethics, Brothers of Soul and The Icemen, The Indications set out to make a record steeped in heavy drums, blown-out vocals, and deep grooves. Gathered around a Tascam 4-track cassette recorder and a case of Miller High-Life, the group spent their Sunday evenings re-cording into the early hours of the morning. With comparisons from Charles Bradley and Lee Fields to Al Green, the only thing that separates this band from those greats is their youth. Having now taken their raucous live show all across the US, the band have galvanized a following that are ready to take them to the next level.

Limited double vinyl LP pressing. Mama's Gun is the second studio album by American neo soul singer Erykah Badu. It was recorded between 1999 and 2000 at Electric Lady Studios in New York and released on November 21, 2000, by Motown Records. A neo soul album, Mama's Gun incorporates funk, soul, and jazz styles. It has confessional lyrics by Badu, which cover themes of insecurity, social issues and personal relationships. The album has been viewed by critics as a female companion to neo soul artist D'Angelo's second album Voodoo (2000), which features a similar musical style and direction. The album contains the single "Bag Lady", a top 10 Billboard hit, nominated for the Grammy Award for Best Female R&B Vocal Performance and for Best R&B Song. Continuing with it's Respect The Classics initiative, UMe reissues this album on standard weight vinyl for the first time since it's original pressing.

Ghost Funk Orchestra are a mystery. Plain and simple. Dirty, soulful production, verbed and fuzzed out guitars, mysterious vocals that feel like a lost score to a Quentin Tarantino film. The brainchild of one-man producer/musician/arranger Seth Applebaum, GFO is forging new territory and blurring the line between soul and psychedelic.

Ten years ago, Ikebe Shakedown began pushing the boundaries of instrumental music. Each new track and live set has sent them deeper into combining the primal elements of '70s soul, raw psychedelic style, and cinematic Western soundtracks with powerful grooves and soaring melodies. Now, with their new release, Kings Left Behind (Colemine Records), the band is giving listeners more mystery and majesty than ever before. The album features the entire group collaborating to produce tracks that deliver punches right to the gut, even as dreamy guitars and lush horn melodies and string arrangements capture the imagination. The album was recorded by Ikebe's bassist, Vince Chiarito, at Hive Mind Recording. Opened with Ikebe's saxophonist, Mike Buckley, and another collaborator in 2017, Hive Mind has become a home base for the band, leading to more experimentation with the textures and sounds of a genre they define as Instrumental Soul.

One of the truly timeless albums in soul music history and the one that launched the career of Isaac Hayes, putting him firmly on the map as a musical force to be reckoned with and a source on musical inspiration for generations to come. This new vinyl reissue, complete with replica old-school style tip-on jacket, features audio remastered from the original analog tapes by leading engineer Dave Cooley and pressed on 180-gram vinyl.

The Payback is a 1973 double album by James Brown. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem. The Payback is considered a high point in Brown's recording career, and is now regarded by critics as a landmark funk album. It's revenge-themed title track, a #1 R&B hit, is one of his most famous songs and an especially prolific source of samples for record producers. Musically the album is largely based around cyclic grooves and jamming, but it also features departures into a softer soul-based sound on tracks like "Doing the Best I Can".

Vinyl LP pressing including digital download. The James Hunter Six are back with another sublime offering of no nonsense rhythm and blues. Recorded and produced by Bosco Mann, Nick of Time is a shining example of how a master song-smith can continually draw fresh water from a bottomless well. In addition to the uptempo, swinging R&B that has put JH6 on the map, Nick of Time explores so much more! The opening track and lead single, 'I Can Change Your Mind', is a beautiful, mid-tempo rumba that tips the hat to the sound of many early King/Federal releases, but executed with a vibrancy that propels the tune into the 21st Century. The lush arrangements on 'Till I Hear it from You' and ' He's Your Could Have Been' sound like lost tracks from an early '60s Burt Bacharach session. The straight forward soul of 'Brother or Other' (whose timely message is only tantamount to it's groove), and the sparse 'Paradise for One' (that finds James channeling his innermost Nat King Cole), enrich the album with sounds one may not readily associate with James and Co. - culminating in James' most exciting full-length release to date.

Jamila Woods has a voice and lyrical sensibility that transcends generations, and so it makes sense to have this lush and layered album that bounces seamlessly from one sonic aesthetic to another. This was the case on 2016's HEAVN, which found Woods hopeful and exploratory, looking along the edges resilience and exhaustion for some measures of joy. Her new album, Legacy! Legacy! Is the logical conclusion to that looking. From the airy boom-bap of "Giovanni" to the psychedelic flourishes of "Sonia," the instrument which ties the musical threads together is the ability of Woods to find her pockets in the waves of instrumentation, stretching syllables and vowels over the harmony of noise until each puzzle piece has a home. The whimsical and malleable nature of sonic delights also grants a path for collaborators to flourish: the sparkling flows of Nitty Scott on "Sonia" and Saba on "Basquiat," or the bloom of Nico Segal's horns on "Baldwin." More than just giving the song titles the names of historical black and brown icons of literature, art, and music, Jamila Woods builds a sonic and lyrical monument to the various modes of how these icons tried to push beyond the margins a country had assigned to them. On "Sun Ra," Woods sings "I just gotta get away from this earth, man / this marble was doomed from the start" and that type of dreaming and vision honors not only the legacy of Sun Ra, but the idea that there is a better future, and in it, there will still be black people. Soul music did not just appear in America, and soul does not just mean music. Rather, soul is what gold can be dug from the depths of ruin, and refashioned by those who have true vision. True soul lives in the pages of a worn novel that no one talks about anymore, or a painting that sits in a gallery for a while but then in an attic forever. Soul is all the things a country tries to force itself into forgetting. Soul is all of those things come back to claim what is theirs. Jamila Woods is a singular soul singer who, in voice, holds the rhetorical demand. The knowing that there is no compromise for someone with vision this endless. That the revolution must take many forms, and it sometimes starts with songs like these. Songs that feel like the sun on your face and the wind pushing flowers against your back while you kick your head to the heavens and laugh at how foolish the world seems.

Driving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends it's name to Bridges and Khruangbin's new collaborative EP. "Big sky country, that's what they call Texas," Khruangbin bassist Laura Lee says. "The horizon line goes all the way from one side to another without interruption. There's something really comforting about that." On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.

The Miseducation of Lauryn Hill is the debut solo album studio by Lauryn Hill. Released August 25, 1998, the album swept the Grammy Awards in 1999, being nominated for 10 and winning five. As of 2009, the album has sold over 19 million copies worldwide and over 10 million copies in the US alone, with the RIAA giving it Diamond status.