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Daddy’s Home, the sixth album from St. Vincent, is the latest facet of an ever-evolving artist regarded by many as the most consistently innovative and intriguing presence in modern music. The album was pro-duced by Annie Clark and Jack Antonoff, recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. The music was performed by Annie, Jack, Cian, Thomas, Evan Smith, Sam KS, Greg Leisz, Daniel Hart, Michael Leonhard, Lynne Fiddmont and Kenya Hathaway.

"Daddy's Home collects stories of being down and out in downtown NYC. Last night's heels on the morning train. Glamour that's been up for three days straight.”—St. Vincent

On May 21, Matador Records will release Afrique Victime, the long-awaited new album by Mdou Moctar. On Afrique Victime the prodigious Tuareg guitarist and songwriter rips a new hole in the sky ­' boldly reforging contemporary Saharan music and 'rock music' by melding guitar pyrotechnics, full-blast noise, and field recordings with poetic meditations on love, religion, women's rights inequality, and Western Africa's exploitation at the hands of colonial powers.

'It's about hopelessness and darkness,' says Aidan Moffat. 'But in a fun way.' The Arab Strap frontman is speaking about the band's 7th studio album and their first since 2005's The Last Romance . The band who bought you the classic and legendary "The First Big Weekend" return with new music for the first time in 15 years. 'It's definitely Arab Strap, but an older and wiser one, and quite probably a better one.' The first track lifted from the new album 'The Turning of Our Bones' saw a much welcome return to form and proved very much that Arab Strap are back from the grave and ready to rave! As the bands Malcolm Middleton told the Guardian newspaper when they profiled the band upon news of their return, 'There's no point getting back together to release mediocrity.'

Sleater-Kinney's 10th studio album was recorded in Portland, Oregon during the summer of 2020 ' against a backdrop of social unrest, devastating wildfires, and a raging pandemic. It's music for an imagined togetherness. This marks the first Sleater-Kinney album produced by the band members themselves.

On June 15th 2014, Jason Isbell reunited onstage with former Drive By Truckers bandmates Patterson Hood and Mike Cooley for a special round-style night in Muscle Shoals Music. The setlist includes acoustic versions of Isbell-era Truckers gems including “Heathens,” “Decoration Day” and “Zip City” as well as post-Isbell Truckers tracks like “Space City” and solo Isbell faves such as “Cover Me Up.” The set opens and closes with a pair of classic Hood-sung numbers, 2004′s “Tornadoes” and 2001′s “Let There Be Rock.”  

Drive-By Truckers released The Unraveling on Jan 31st 2020 and set out for what was supposed to be a full year of touring. Needless to say it did not go as planned. "The New OK" is a phrase Patterson Hood found himself saying a lot these past few months. This new album, made up of songs left over from The Unraveling sessions and new ones written and recorded since, hopefully balances out the darkness of our current situation with a hope for better days and nights ahead.

The first-ever official anthology of recordings from the iconic rock duo, Jack and Meg White, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. In an era of streaming where the idea of a “Greatest Hits” album may seem irrelevant – that an act’s most streamed songs are considered their de facto “hits” – we wholeheartedly believe that great bands deserve “Greatest Hits” and that a large part of Third Man Records’ and The White Stripes’ successes have been built on zigging when the rest of the music business is zagging. Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary.

In 2018, Margo Price claimed her rock star status at the Mother Church of Country Music. She was headlining the Ryman Auditorium for the first time ever, in a sold-out run of three nights that she had admittedly spent more time planning than her wedding. Now, Margo revisits the career-changing residency with the release of a new live album, Perfectly Imperfect at The Ryman. With special guest appearances from Jack White, Emmylou Harris and Sturgill Simpson! Limited Pressing Double LP

Double 180gm vinyl LP pressing. 2020 release from the acclaimed country music singer/songwriter. The album has 14 new tracks and is Chris's first studio album of new material since 2017. Features the single "Starting Over". Chris has received five Grammy Awards, seven ACM Awards, ten CMA Awards, and five Billboard Music Awards to date and with his first three album he has sold over eight million albums to date, including his debut album Traveller which has sold over four million copies.

Arctic Monkeys and War Child UK are proud to announce the release of Arctic Monkeys - Live At The Royal Albert Hall. All proceeds from the album will go to War Child UK to help fill what could be up to a £2 million deficit they are facing in 2021 caused by the devastating impact of Covid-19 on their fundraising. These funds are urgently needed to support those who are worst hit by the virus. 

Recorded at the start of the band’s Tranquility Base Hotel + Casino tour, Arctic Monkeys - Live At The Royal Albert Hall, features 20 of the band’s finest moments to date.

“On June 7, 2018 we played a very special show at London’s Royal Albert Hall. All the proceeds from that memorable night were donated to War Child UK in support of the vital work they do protecting, educating and rehabilitating children who have experienced the trauma of conflict and the horror of war. The situation that was bad in 2018 is now desperate and those children and their families need our help more than ever. To enable War Child UK to reduce their funding deficit and continue their valuable work, we are happy to be able to release a live album, recorded that evening at The Royal Albert Hall. All proceeds will go direct to the charity. We thank all our fans in advance for their support of this release and in turn for their support of War Child UK” - Arctic Monkeys.

The Kills have compiled an extraordinary career spanning b-sides and rarities album titled, appropriately, Little Bastards. The songs date back from the band’s first 7-inch singles in 2002 through to 2009. All of the material has been newly remastered for release on 2 x LP, CD & Digital and marks the first ever vinyl pressing for some of these tracks.

First ignited over trans-Atlantic mixtapes shared between two kindred spirits at the turn of the Millennium, the past two decades have seen The Kills master a savage balance, unleashing artful detonation and subtle vocal and guitar violence. That’s five albums and four EPs where Alison Mosshart and Jamie Hince reimagined the possibilities of modern duality - alchemizing garage rock, punk, and blues into smoke clouds, psychic carnage, and a smoldering nocturnal slink into a northwest passage between Outkast and Suicide. Their last album, Ash & Ice (2016), was universally lauded, and their most recent release - a 2018 cover of Saul Williams’ “List Of Demands” b/w Peter Tosh’s “Stepping Razor” – marked 15 years since their first album as The Kills, 2003’s Keep On Your Mean Side. As performers, their chemistry is unmatched and unfettered; magnetic and enthralling whether drenched in guitar feedback or delivering a piano-led torch song under a single spotlight. The Kills have transcended whatever genres first claimed them and inhabit an entirely unique place in music culture. They are themselves. Inimitable and unparalleled, Little Bastards is a musical refresher manifest as a shot of pure adrenaline. Enjoy the memories. Long may they blaze.

Culled from over 40 hard drives of recorded live shows spread out across years of touring behind multiple critically acclaimed records, LIVE DRUGS is unlike anything previously available in The War on Drugs’ catalog.

The first volume to capture the band’s live interpretations, LIVE DRUGS is a document showcasing the evolution of the band’s live show over the years. Additionally, LIVE DRUGS is a portrait of the enduring relationship between Adam Granduciel and Dominic East. A longtime friend, guitar tech and stage manager, East is LIVE DRUGS’s co-producer and the presence Granduciel credits as holding everything together.

Sequenced to reflect how a typical 70-minute set would flow, LIVE DRUGS thrives on live set staples immortalized on record for the first time. This includes “Buenos Aires Beach” from the band’s 2008 fulllength debut, Wagonwheel Blues, and the longtime musical interlude flowing between “Under the Pressure” and “In Reverse” - which bookend 2014’s Lost In The Dream. There’s also the band’s essential cover of Warren Zevon’s “Accidentally like a Martyr” – a song “so true, you should ever be lucky to write a song that simple,” Granduciel says.

Run the Jewels The mighty return of Run the Jewels! El-P and Killer Mike are back with the third installment of the hugely popular Run the Jewels project. This time around RTJ are releasing it on their own label with a gang of collabs from the likes of Danny Brown, Trina, Kamasi Washington, TV On The Radio's Tunde Adebimpe and more.

The Ascension is the eighth studio album from singer, songwriter and composer Sufjan Stevens and is the long awaited follow-up to Stevens’ Carrie & Lowell. One of the most acclaimed albums of 2015, The New York Times praised Carrie & Lowell as “restrained and meticulous” while Pitchfork declared it “a masterpiece.”

In the time between Carrie & Lowell and the forthcoming The Ascension, Stevens also released Oscar-nominated music for the Luca Guadagnino film Call Me By Your Name; a collaborative album entitled Planetarium with Nico Muhly, Bryce Dessner (The National) and James Mcalister; The Decalogue, a solo piano work performed by Timo Andres; and scored several works for ballet: Reflections (Houston Ballet) and Principia (NYCB).

The Ascension is musically expansive and sweeping in thematic scope.

You heard it here first - it's the Gold Record we always knew Bill Callahan had in him! Last summer, he returned from a silence of years - now, he's raring to go with another new one already. The abiding humanity of latter-day Callahan is highlighted by dark plumes of caustic wit upending standards of our everyday life and the songs that celebrate it: the job, the wife, the TV, the neighbors. Bill slips easily into his characters, whether they're easy people or not - and the cross-hatch of their light and shadow is unpredictably entertaining in the manner that belongs only one singer in this whole wide world: we're still talking about Bill Callahan.

Reissue on vinyl of the third PJ Harvey studio album To Bring You My Love. Produced by PJ Harvey with Flood and John Parish, and originally released in February 1995, To Bring You My Love features the singles `Down By The Water', `C'mon Billy' & `Send His Love To Me'. The album - which celebrates its 25th Anniversary this year - received wide critical acclaim on release, with nominations for Grammy Awards and the Mercury Music Prize. Reissue is faithful to the original recording and package.

10 track collection of previously unreleased demos of all songs from the third studio album by PJ Harvey - To Bring You My Love - from 1995. Includes demo versions of the singles `Down By The Water', `C'mon Billy' and `Send His Love To Me'. Audio has been mastered by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey collaborator John Parish. Features brand new artwork with previously unseen photos by Maria Mochnacz.

Vinyl LP pressing. 2020 release. Chuck Prophet, San Francisco's savior-songwriter, has returned with The Land That Time Forgot. Varying from the rich heartland rock of songs like 'Best Shirt On' to the building drum machine of 'Marathon' and all the way back to stripped back words and guitar of 'Nixonland'; and 'Get Off the Stage'Prophet's work defies classification. Chuck Prophet is a rock and roll star in a country that has forgotten that it needs rock and roll stars. America turns it's popular musicians into celebrities (as if that's what we need more of). Meanwhile, the true grit, write it like you live it and live it 'til it kills you musical artist exists in obscurity, kicking ass and taking names in small clubs every night while sweating blood over making records. Thankfully, we live in the same timeline as Chuck Prophet.

2020 release. Chuck Prophet, San Francisco's savior-songwriter, has returned with The Land That Time Forgot. Varying from the rich heartland rock of songs like 'Best Shirt On' to the building drum machine of 'Marathon' and all the way back to stripped back words and guitar of 'Nixonland'; and 'Get Off the Stage'Prophet's work defies classification. Chuck Prophet is a rock and roll star in a country that has forgotten that it needs rock and roll stars. America turns it's popular musicians into celebrities (as if that's what we need more of). Meanwhile, the true grit, write it like you live it and live it 'til it kills you musical artist exists in obscurity, kicking ass and taking names in small clubs every night while sweating blood over making records. Thankfully, we live in the same timeline as Chuck Prophet.

Digitally remastered and expanded edition. 25th anniversary reissue of this unique coming together of Brian Eno and ex-Public Image Limited bass player Jah Wobble, also featuring Jaki Liebezeit from Can on drums. Starting life as the soundtrack to Derek Jarman's Glitterbug, Eno passed stereo mixes of the film cues to Wobble who embellished and built upon them to construct the Spinner tracks. The resulting fusion combines icy ambience with a kind of psychogeographical funk. Digital download card includes two bonus tracks.

Narratively, H.C. McEntire’s Eno Axis is about finding direction in the natural world, and following love. Sonically, it’s an album shaped enormously by the atmosphere it was recorded in—the crew’s synergy and positivity, the proximity and presence of a band in a room playing with intention. Structurally, it’s a group of songs inspired by the colors and tones of open tunings, by the sacrality of space and instinct. Stylistically, it’s folk-rock leaning into its curious experimental side and moved by the spiritual rawness of classic soul and the simplicity of earnest pop. Eno Axis feels like a confident and mature step forward from her debut album LIONHEART—in tone, arrangement, production, and spirit.

The groundbreaking British band’s eighth studio album and first new album in nearly three decades. Founded by visionary singer/lyricist Richard Butler and his brother, bassist Tim Butler, The Psychedelic Furs are among the most significant and lasting bands of the post-punk era, their remarkable canon encompassing seven milestone studio albums and such classic singles as “We Love You,” “Sister Europe,” “Love My Way,” “The Ghost In You,” “Pretty In Pink,” “Heaven,” “Heartbreak Beat,” and “All That Money Wants,” to name but a few. MADE OF RAIN sees the band returning to the fray as relevant and original as ever before, fueled by their always innovative sonic approach and Richard Butler’s evocative, masterful songwriting. Produced by longtime associate Richard Fortus (formerly of Richard and Tim Butler’s acclaimed mid-1990s band, Love Spit Love, and a current member of Guns N’ Roses) and mixed by Tim Palmer (Pearl Jam, U2, Robert Plant), magnificent reiterations of The Psychedelic Furs’ distinct, desperate wall of sound, melding haunting melodies and driving rhythms with ambition, aggression, and subversive lyrical power.

Jenn Wasner and Andy Stack have been making music together as Wye Oak for over a decade, yielding five critically acclaimed LPs in the process. The Baltimore-born, Durham-based pair spent 2012-2019 writing music while living in different parts of the country, but the five songs that make up No Horizon mark the first that Stack and Wasner composed while both lived in Durham. The EP was originally composed in a tight, concentrated timeframe at the end of 2018 and early 2019, and then performed at New York's Merkin Hall as part of Ecstatic Music Festival in collaboration with the Brooklyn Youth Chorus. The resulting EP is beautiful and strange: distinctly and recognizably Wye Oak, while simultaneously unlike any other of the band's studio work. Eerie and dreamy, a complicated, unpredictable amalgamation of thoughtful lyrics, steely glints of synths and effects, lithe guitar lines, and the depth of Wasner's voice, it all unfurls with the ease of any Wye Oak song, built out by the Brooklyn Youth Chorus' presence, their tangle of crystalline voices presenting like an orchestral arrangement.

Alphabetland is the eighth studio album by American punk rock band X. Released digitally in April 2020, it is their first studio release in 27 years and the first with their original line-up in the past 35 years. The release has received positive reviews from critics. Alphabetland was recorded across several sessions in 2019 and 2020 with producer Rob Schnapf, who has previously worked with Elliott Smith, Beck, and Joyce Manor.

Even though these songs date from a time when the band's only songwriters were vocalist Exene Cervenka and Doe, all tracks are credited to all four members of X and the recording sessions coincided with the individual musicians improving their relationships with one another.

Demos of PJ Harvey’s seminal 1992 debut album. LP pressed on 180-gram vinyl. Full color outer sleeve, with printed inner sleeves. Includes three previously unreleased photos.

Also Available

Dry LP		Peaky Blinders Original Music From The TV Series 2CD / 3LP

Dry is PJ Harvey’s stark, seminal 1992 debut album ... a fully-formed call-to-arms! Features "Dress" and "Sheela-Na-Gig". Back in print, the LP is pressed on 180-gram vinyl.


Also Available

Dry – Demos CD / LP		Peaky Blinders Original Music From The TV Series 2CD / 3LP

Twelve inch vinyl pressing. Nick Lowe strikes again with a 2020 EP, Lay It On Me, where he is once again joined by his gang of masked musicians, Los Straitjackets. The limited edition EP features two new originals from Nick, 'Lay It On Me Baby' and 'Don't Be Nice to Me', plus a cover of Dorsey Burnette's 'Here Comes That Feeling' (made famous by Brenda Lee). Nick's wordplay and razor-sharp lyrics shine bright with the twang-friendly tones of Los Straitjackets behind him. On Side B of the EP is the first track that Nick has produced in over two decades that wasn't one of his own performances: Los Straitjackets turning Shocking Blue/Bananarama's 'Venus' into a surf rock staple.

‘Rough and Rowdy Ways’ is Bob Dylan’s first album of original material in 8 years and his first since becoming the only songwriter to receive the Nobel Prize for Literature, in 2016. Its 10 tracks include the three new songs released this spring: the album’s lead-off track, “I Contain Multitudes,” the nearly 17-minute epic “Murder Most Foul” and “False Prophet.”

Double vinyl LP pressing. 2020 release, the seventh album from the funk band. Resonate comes on the heels of Lettuce's 2019 Grammy-nominated album Elevate. "Resonate is a definite continuation of the vibe of Elevate," said the band via a press release. "There's brand-new tracks on it along with some stuff that we've only played live at shows. When listening Resonate, we hope you can feel the groove, be moved to dance and allow it to shine a bright, positive light on any lingering negative vibes."

* Bonus tracks are exclusive to the first pressings of CDs and Vinyl

Featuring writing and lead vocal contributions from all four members, The Jayhawks’ extraordinary new album, XOXO, is the most diverse and wide-ranging in the group’s storied history. Rather than marking a sonic departure, though, the collection signals a sharpening of focus for the band, an elevation in understanding of who they are and what they do best. In classic Jayhawks fashion, the songs here mix the influence of American roots music with British invasion and jangly power-pop, but there’s a newfound vitality at play, as well, an invigoration of confidence and energy that could only come with the injection of fresh blood. The result is an album that, much like the band’s lush harmonies, brings multiple distinctive voices together into a singular whole, a collection that, ironically enough, finds unity in individuality and identity in reinvention.

“This album feels like a new lease on life for us,” explains Louris. “I don’t know what the future holds, but this band is full of great songwriters who deserve to be heard, and my only regret is that we didn’t do something like this sooner.”

Beggars Arkive is excited to reissue Between 10th and 11th, the second album by The Charlatans UK. Available on clear 2XLP, the reissue contains the original album plus eight live and remastered tracks from Isolation 21.2.91, recorded live in Chicago in 1991. Between 10th and 11th was originally released in 1992 and contained the band's biggest US hit, "Weirdo" which landed at #1 on the Alternative songs chart. Produced by Flood, you can hear the pure crispness in the audio. Entertainment Weekly said that "Between 10th and 11th consolidates the band's riveting, hypnotic attack, all musical tips o' the hat to the '60s and '70s, smeared over a smorgasbord of unrelenting dance beats and topped with hook ("I Don't Want to See the Sights") after hook ("Weirdo").". 2LP 2XLP with revised artwork, clear vinyl

Over 15 years after it's initial release, David Dondero's classic 2003 album The Transient (originally released on CD by Future Farmer Recordings) is finally being released on 180gram vinyl. The record also includes a download code for 4 digital bonus tracks, all early demos for songs on the album. The album was recorded by Mike Mogis (Bright Eyes, Jenny Lewis, Rilo Kiley) at Presto! Recording Studios in Lincoln, Nebraska, except for "Vaporize," which was recorded by Zach Passero in Anthony, New Mexico and "Going Back to Wilmington," recorded on Panasonic slimline tape recorder in Wilmington, North Carolina by DD and doubled digitally by Stephen Pedersen. The album was mastered by Doug Vansloun. Mastered for vinyl by Carl Saff.