gene's CLASSICAL shelf
if you are reading this, there's a good chance you know Gene. He's the owner/operator of Horizon Records and he's kind of a geek about classical in all its many forms, and especially about piano music, things from ECM Records , and lately about what he calls late moderns (ambient, minimalists, and the generally bliss-ed out edges of classical)... I've heard that some days that's the only thing that gets played in the back room. Even Renaissance and Early choral music, omg Poor Luci.
Janine Jansen embarks on a journey recording on 12 of the world's most precious instruments. "All 12 violins are by the master Italian luthier Antonio Stradivari and have been played by an encyclopedic list of great violinists. Each of them has its own distinctive sound and character which violinists normally have months, if not years, to respond to and make their own. Jansen had only a matter of days with these violins before going into the recording studio accompanied by Sir Antonio Pappano.
Copious creative influences run through Balmorhea's Deutsche Grammophon debut album. The Wind comprises a dozen tracks inspired by meditations on the natural world and its fragility, an ancient tale of a saint who carried the wind to an airless French valley, and thoughts of climate activist Greta Thunberg crossing the Atlantic on the catamaran La Vagabonde.
The title of "The Decalogue" has a touch of the grandiose: it means "The Ten Commandments." Yet this score, composed by Sufjan Stevens for a dance work choreographed by Justin Peck that premiered with the New York City Ballet in May of 2017, is quiet and experimental. Stevens's piano score, as played and recorded by Timo Andres, sounds like etudes in the Romantic-modernist tradition, as if prompted by Debussy. With "The Decalogue," now released digitally, and on vinyl and CD, Sufjan is making-gently, without ostentation-new departures.
The title of "The Decalogue" has a touch of the grandiose: it means "The Ten Commandments." Yet this score, composed by Sufjan Stevens for a dance work choreographed by Justin Peck that premiered with the New York City Ballet in May of 2017, is quiet and experimental. Stevens's piano score, as played and recorded by Timo Andres, sounds like etudes in the Romantic-modernist tradition, as if prompted by Debussy. With "The Decalogue," now released digitally, and on vinyl and CD, Sufjan is making-gently, without ostentation-new departures.
Sheku performs Elgar's Cello Concerto with Sir Simon Rattle and the London Symphony Orchestra at Abbey Road Studios. The concerto is complemented by a collection of pieces from Elgar's time, all chosen by Sheku as a reflection on the different moods and influences in Elgar's seminal concerto. Selections include new arrangements for various string settings, from Sheku's own arrangement for solo cello ("Blow the Wind Southerly") to a six-cello arrangement of "Nimrod."
'As a spectacle, it's eccentric and quite brilliant ' much like the man himself' - The Independent Nils Frahm announces the release of Encores 3 on 20 September 2019, the third and final instalment of his Encores series. The three EPs will be available as one full length release titled All Encores featuring 80 minutes of music on 18 October, to follow his masterful 2018 album All Melody. Whilst Encores 1 focused on an acoustic pallet of sounds with solo piano and harmonium at the core, and Encores 2 explored more ambient landscapes, now Encores 3 sees Nils expand on the percussive and electronic elements in his work. 'The idea behind All Encores is one we had from before All Melody; to separate releases each with their own distinct musical style and theme, perhaps even as a triple album. But All Melody became larger than itself and took over any initial concepts. I think the idea of All Encores is like musical islands that compliment All Melody.' Moulded during All Melody but refined by his live performances, All Encores is testament to Nils' exceptional ability to craft his art on stage. Artificially Intelligent which showcases his 'mad professor' organ, and All Armed which has been a live favourite for some time, appearing on set lists since 2015, are now available to hear on record for the very first time. The final track of Encores 3, as well as the whole series, Amirador, perhaps aptly nods to the Spanish word for 'lookout' and hints at what's to come. Frahm has been touring extensively following the release of All Melody, bringing his spectacular live show all around the world with sold out performances including the Hammersmith Apollo in London, L.A.'s Disney Hall, Brooklyn Steel, Le Trianon in Paris and Funkhaus in Berlin. Nils returns to the UK capitol for The Hydra's summer 2019 series, headlining Printworks on August 23, with further European dates following the release of Encores 3 and All Encores. Praise for Encores 1 and 2: 'Where All Melody was elegantly dense, Encores 1 is soft and spare, four solo piano compositions and one for harmonium, all of which mostly dance through Frahm's particular balance of pastoral optimism, countered always with a shaded melancholy ' like closing your eyes and looking right at the daylight' ' NPR Frahm remains a musical sorcerer supreme ' Mixmag